Название: Лексикология английского языка - Антрушина Г. В.

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Composition

 

This type of word-building, in which new words are produced by combining two or more stems, is one of the three most productive types in Modern English, the other two are conversion and affixation. Compounds, though certainly fewer in quantity than derived or root words, still represent one of the most typical and specific features of English word-structure.

There are at least three aspects of composition that present special interest.

The first is the structural aspect. Compounds are not homogeneous in structure. Traditionally three types are distinguished: neutral, morphological and syntactic.

In neutral compounds the process of compounding is realized without any linking elements, by a mere juxtaposition of two stems, as in blackbird, shop-window, sunflower, bedroom, tallboy, etc. There are three subtypes of neutral compounds depending on the structure of the constituent stems.

The examples above represent the subtype which may be described as simple neutral compounds: they consist of simple affixless stems.

Compounds which have affixes in their structure arecalled derived or derivational compounds. E. g. absent-mindedness, blue-eyed, golden-haired, broad-shouldered, lady-killer, film-goer, music-lover, honey-mooner, first-nighter, late-comer, newcomer, early-riser, evil-doer. The productivity of this type is confirmed by a considerable number of comparatively recent formations, such as teenager, babysitter, strap-hanger, four-seater ("car or boat with four seats"), doubledecker ("a ship or bus with two decks"). Numerous nonce-words are coined on this pattern which is another proof of its high productivity: e. g. luncher-out ("a person who habitually takes his lunch in restaurants and not at Home"), goose-flesher ("murder story") or attention getter in the following fragment:

 

"Dad," I began ... "I'm going to lose my job." That should be an attention getter, I figured.

(From A Five-Colour Buick by P. Anderson Wood)

 

The third subtype of neutral compounds is called contracted compounds. These words have a shortened (contracted) stem in their structure: TV-set (-program, -show, -canal, etc.), V-day {Victory day), G-man (Government man "FBI agent"), H-bag (handbag), T-shirt, etc.

Morphological compounds are few in number. This 5type is non-productive. It is represented by words in which two compounding stems are combined by a linking vowel or consonant, e. g. Anglo-Saxon, Franko-Prussian, handiwork, handicraft, craftsmanship, Spokesman, statesman (see also p. 115). . In syntactic compounds (the term is arbitrary) we once more find a feature of specifically English word-structure. These words are formed from segments of speech, preserving in their structure numerous traces of syntagmatic relations typical of speech: articles, prepositions; adverbs, as in the nouns lily-of-the-valley, Jack-o f-all-trades, good-for-nothing, mother-in-law, sit-at-home. Syntactical relations and grammatical patterns current in present-day English can be clearly traced in the structures of such compound nouns as pick-me-up, know-all, know-nothing, go-between, get-together, whodunit. The last word (meaning "a detective story") was obviously coined from the ungrammatical variant of the word-group who (has} done it.

In this group of compounds, once more, we find a great number of neologisms, and whodunit is one of them. Consider, also, the two following fragments which make rich use of modern city traffic terms.

 

Randy managed to weave through a maze of one-way-streets, no-left-turns, and no-stopping-zones ...

(From A Five-Colour Buick by P. Anderson Wood)

 

"... you go down to the Department of Motor Vehicles tomorrow and take your behind-the-wheel test."

(Ibid.)

 

The structure of most compounds is transparent, as it were, and clearly betrays the origin of these words from word-combinations. The fragments below illustrate admirably the very process of coining nonce-words after the productive patterns of composition.

 

"Is all this really true?" he asked. "Or are you pulling my leg?"

... Charlie looked slowly around at each of the four old faces... They were quite serious. There was no sign of joking or leg-pulling on any of them.

(From Charlie and the Chocolate Factory by R. Dahl)

 

"I have decided that you are up to no good. I am well aware -that that is your natural condition. But I prefer you to be up to no good in London. Which is more used to up-to-no-gooders."

(From The French Lieutenant's Woman by J. Fowles)

 

"What if they capture us?" said Mrs. Bucket. "What if they shoot us?" said Grandma Georgina. "What if my beard were made of green spinach?" cried Mr. Wonka. "Bunkum and tommyrot! You'll never get anywhere if you go about what-iffing like that. ...We want no what-iffers around, right, Charlie?"

(From Charlie and the Great Glass Elevator by R. Dahl)

 

The first of the examples presents the nonce-word leg-pulling coined on the pattern of neutral derivational compounds. The what-iffing and what-iffers of the third extract seem to represent the same type, though there is something about the words clearly resembling syntactic compounds: their what-if-nucleus is one of frequent patterns of living speech. As to the up-to-no-gooders of the second example, it is certainly a combination of syntactic and derivational types, as it is made from a segment of speech which is held together by the -er suffix. A similar formation is represented by the nonce-word break fast-in-the-bedder ("a person who prefers to have his breakfast in bed").


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